Okay two questions there. First: the effect of a writer’s choice of title - when the story addresses racism as a dominant theme—is always a loaded question - depending on point of view, style chosen (is it satire or sci-fi? Suspense v thriller? Uncle Tom’s Cabin or Invisible Man.
“Beloved” is the most powerful book I've read about the horrors of Southern slavery - then I think of the bio “Biko” about the racist machine of apartheid and I am immediately saddened as I recall the story, basically the same - injustice based on external differences in tribe. The same continues today and I can see no simple answer.
Huckleberry Finn, a story inseparable from race and the peculiar level of social acceptance for horrible truths - the country of freedom built entirely on a lie - exploiting slaves economically but based on the color of their skin - something the freedom of Creed would no doubt have struck down if America wasn't also built on the genocide of native peoples - with or without treaties, history has shown our “race” and “gender” equality issues are the difference between the philosophical declaration of Independence and the Canonological rule of the state thru promise of law and order - for those who had rights. Namely white men of a certain economic stature.
Racism (and sexism, which wears down women's soul in every country) is a given if you abide by Darwinisn and allow draconian measures to bring about a dystopian universe.
Or do you seek the expansion beyond racism to get to the marrow through your insight and inspiration?
Make it meaningful - make it matter. Lead me to your story not tell too much or say too little. Mostly - keep us invested in the story - I want to hear your voice, as a storyteller.
2) if not what? Improve what?!
Read beloved by toni Morrison
Namaste
Comments
Post a Comment